YOUTH COMPANY AUDITIONS · SEPTEMBER 5

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PROGRAM

WELCOME LETTER

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WELCOME LETTER

Welcome to the Ensemble Español Spanish Dance Theater’s 50th Anniversary Concert at the North Shore Center for the Performing Arts

As we celebrate our golden anniversary season, we are excited to present our full Company of dancers and guest artists on this special concert honoring our past, celebrating our present and securing our future.


Behind the glamor is the year-round work of The Ensemble Español that is focused on performances, training and educational excellence, heritage, and cultural opportunities for our dancers and youth. We perform and serve over 10,000 school children annually in Chicago. We support a Youth Company now celebrating its 40th anniversary founded at the Frederick Funston School in Humboldt Park. The Ensemble Español is the first in the U.S. to offer Dual Enrollment college credit for high school students at Northeastern Illinois University.


Our passion and hard work are supported by so many constituencies. We thank our wonderful dancers, associate artistic director, Jose Torres; teachers -Kara Zimmerman, Katrina Bartels, Maria Lujan, Nalanie Molina, Ronaldo Monge, Karla Tennies Koziura; staff- Hector Uriostegui, administrative assistant/specialist; JD Miller, director of community development; Melanie Flores & Adriana Alers, grant writers; Miguel Garcia & Juan Carlos, marketing and social media content coordinators; Cara Ara, human resources; Yvonne Afable, accountant; Ann Fink of Carol Fox & Associates public relations firm, amazing Board of Directors, all of our donors, and our public and private funding sources, and partner and home Northeastern Illinois University.


This evening’s revival of Dame Libby Komaiko’s 1993 full company iconic Bolero is presented thanks to the generous support of friend and donor Sonia Florian (1935-2025). The Ensemble Español dedicates this evening’s performance of Bolero to Sonia Florian.


A very special thank you to our 50 th anniversary board chair and former NEIU president, Salme Harju Steinberg. Her vision and leadership since the company’s inception is immeasurable. Gracias de todo Corazon. Gracias to our new university president, Katrina Bell-Jordan, for her dedication and continued support.


To continue our work, we need you. Please join us on this journey. Your impact donation, now more than ever, will sustain and strengthen our Ensemble dancers, youth dancers, artistic leaders, teachers and staff. This includes our platform for new works, our continuing partnership with Chicago and Illinois schools and teens, and a collaborative space for our artists.


¡Muchísimas Gracias! On behalf of the entire Company, the dancers, the Board of Directors, and all of the staff, we offer a heartfelt thank you! Enjoy the concert! ¡Ole!

The Ensemble Español Board of Directors welcomes our

HONORARY CHAIRS:

Juan Mata and Ana Gonzalez,Founding Members of the National Ballet of Spain

Dame Deanna Blacher Cohn, Founder of the Danza Viva Spanish DanceAcademy & Company of Perth, Australia


HONORARY CO-CHAIRS:

Daniel Lopez, President, Harold Washington College

Eduardo Vilaro, Artistic Director & CEO of Ballet Hispanico, NY

Jose Ochoa, President & CEO, National Museum of Mexican Art

Iris Martinez, Former Circuit Court Clerk and State Senator

Amina Dickerson, President, Dickerson Global Advisors

DANCE COMPANY

Dame Libby Komaiko

Dame Libby Komaiko

Dame Libby Komaiko

Founder

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Irma Suárez Ruiz

Dame Libby Komaiko

Dame Libby Komaiko

Dame Libby Komaiko Legacy Artistic Director

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Jorge Perez

Dame Libby Komaiko

Jorge Perez

Executive Director

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Jose Torres

Dame Libby Komaiko

Jorge Perez

Associate Artistic Director

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Katrina Bartels

Juan Carlos Castellon

Katrina Bartels

Company Dancer


A Chicagoan since birth, Katrina “Katie” Bartels has been dancing since she was a toddler. She began ballet from 2-6 years of age with Chicago Ballet Arts. She was a delightful addition to “May I Have This Dance?” during middle school at St. Matthias. Katie quit Girl Scouts and began dancing flamenco at age 11 with the Ensem

Company Dancer


A Chicagoan since birth, Katrina “Katie” Bartels has been dancing since she was a toddler. She began ballet from 2-6 years of age with Chicago Ballet Arts. She was a delightful addition to “May I Have This Dance?” during middle school at St. Matthias. Katie quit Girl Scouts and began dancing flamenco at age 11 with the Ensemble Español community workshop classes, (with the help of her big brother, Teo, who danced with the youth company for four years). 


In 2012, she saw “Bolero” performed at the North Shore Center for the Performing Arts and the purpose of her life was forever altered by that magical experience. The next year, she was accepted into the junior division of the Ensemble Español Youth Company, which was taught by Sara Samuels (and later by Crystal Ruiz and Monica Saucedo). 


Katie was in the junior division for three and a half years before she made it to the senior division of the youth company, under the guidance of Julia Hinojosa and Jose Torres. Katie danced with the España Club (founded by Carlos Alverio, former EE dancer) until her graduation from Lane Tech in 2019. She performed with the senior division for four and a half years. During this time, she also participated in the After School Matters Spanish dance experience for four Summers before her promotion to apprentice with the Ensemble Español in the Fall of 2021. 


During this time, Katie is honored to have worked with the Founder of Ensemble Español, Dame Libby Komaiko, as well as such prestigious dancers as José Barrios, Carmela Greco, Paloma Gomez, Claudia Pizarro-Saume and Carlos Rodríguez.

Catherine Beza

Juan Carlos Castellon

Katrina Bartels

Company Dancer


Catherine, of Guatemalan descent, began her dance training at 4 years old and studied acrobatics, tap, and jazz. She started her flamenco training in the After School Matters program at Ensemble Español in 2012. She became a member of Ensemble Español’s Youth Company in 2013. In 2021 she began her apprenticeship with the pro

Company Dancer


Catherine, of Guatemalan descent, began her dance training at 4 years old and studied acrobatics, tap, and jazz. She started her flamenco training in the After School Matters program at Ensemble Español in 2012. She became a member of Ensemble Español’s Youth Company in 2013. In 2021 she began her apprenticeship with the professional company and in 2023-24 she was promoted to company dancer.


Catherine Beza is a bilingual second grade teacher on the northwest side of Chicago. She loves to merge her two passions: teaching and dance.

Juan Carlos Castellon

Juan Carlos Castellon

Juan Carlos Castellon

Company Dancer


Juan Carlos Castellon is originally from El Salvador and has a diverse dance background. He received training in modern, Latin, African, capoeira, and ballet under the guidance of amazing instructors throughout the years. His passion and dedication to his craft have led him to achieve significant milestones in his career.


In 

Company Dancer


Juan Carlos Castellon is originally from El Salvador and has a diverse dance background. He received training in modern, Latin, African, capoeira, and ballet under the guidance of amazing instructors throughout the years. His passion and dedication to his craft have led him to achieve significant milestones in his career.


In 2005, Juan Carlos began his formal Spanish dance training as an apprentice with the Ensemble Español. Recognizing his talent and hard work, he was promoted to Company Dancer in 2006. Since then, he has been an integral part of the Ensemble Español, showcasing his skills both nationally and internationally.


Juan Carlos's exceptional talent was recognized when he represented Northeastern Illinois University in the American College Dance Festival in 2012 and 2013. This opportunity allowed him to demonstrate his artistry on a grand scale, leaving a lasting impression on the audience.


One of his notable performances took place in 2014, where he participated in the Jacob's Pillow's Dance Festival's Inside/Out dance series. Collaborating with fellow Company Dancer Leticia Aravena, Juan Carlos performed Aludir a lo Que Fue, a captivating choreography that captivated the audience.


Furthermore, Juan Carlos also took on a principal role in Ron de Jesus' Mil Clavos in 2014. His exceptional skill and presence on stage ensured the success of this production. Additionally, he had the opportunity to showcase his versatility in dancing through Cicatrices, a contemporary modern and flamenco duet choreographed by Dereque Whiturs.


Juan Carlos recently graduated as a Clinical Massage Therapists and his ready to take the world in his hands. 


In summary, Juan Carlos Castellon is an immensely talented dancer, with a breath-taking repertoire and a remarkable career. His dedication, passion, and versatility have solidified his status as a prominent figure in the dance community.

Laila Galecki

Juan Carlos Castellon

Juan Carlos Castellon

Guest Dancer
Laila Galecki, company apprentice born in Chicago and of Polish and Mexican decent started dancing with Ensemble Español children’s community workshop classes, and was promoted to a Youth Company dancer, and in 2018, to apprentice with the professional company. Laila has studied in Madrid and Sevilla where she has worked with

Guest Dancer
Laila Galecki, company apprentice born in Chicago and of Polish and Mexican decent started dancing with Ensemble Español children’s community workshop classes, and was promoted to a Youth Company dancer, and in 2018, to apprentice with the professional company. Laila has studied in Madrid and Sevilla where she has worked with Carmela Greco, Paloma Gomez, Raquel Gomez, and Miguel Vargas. Laila has also trained with La Lupi, Omayra Amaya, Jose Barrios, and Carlos Rodriguez in Chicago.


Laila has a Bachelors in Middle Grades Math Education from Loyola University Chicago. As Laila continues her dance career, she is also raising her daughter.

Matt Jalac

Samantha Micklewright

Jocelyn Leving

Matt Jalac is of Filipino descent, and was first introduced to Spanish Dance at the formerly called, Gordon Tech High School, under the direction of Ensemble Español Principal Dancer, Monica Saucedo.

In 2013, he auditioned and was accepted into the Ensemble Español Spanish Dance Youth Company where he began his formal dance training with 

Matt Jalac is of Filipino descent, and was first introduced to Spanish Dance at the formerly called, Gordon Tech High School, under the direction of Ensemble Español Principal Dancer, Monica Saucedo.

In 2013, he auditioned and was accepted into the Ensemble Español Spanish Dance Youth Company where he began his formal dance training with Principal Dancer, Julia Hinojosa and First Dancer, Jose Torres.

In addition to training with the Youth Company, Matthew has also studied dance with Irma Suárez Ruiz, Paloma Gomez, Raquel Gómez, Carlos Rodríguez, Ángel Rojas, Carmela Greco, Jose Greco III, Gala Vivancos, Pol Vaquero, and founding member of the National Ballet of Spain, Juan Mata.

Matthew has studied contemporary dance with Mary Tisa, Co-Artistic Director of the Jay-son Tisa Dance Company and ballet with Anna Czajun.

Jocelyn Leving

Samantha Micklewright

Jocelyn Leving

Company Dancer


Jocelyn is of Ashkenazi Jewish and English heritage. Her first Flamenco teacher, Chiara Mangiameli, opened the door to the art form and at Studio Mangiameli she was fortunate to learn from Chiara, guest artists, and Ensemble Español’s Olivia Serrano. She performed in two of the studio’s Vittum Theater productions, Offstage s

Company Dancer


Jocelyn is of Ashkenazi Jewish and English heritage. Her first Flamenco teacher, Chiara Mangiameli, opened the door to the art form and at Studio Mangiameli she was fortunate to learn from Chiara, guest artists, and Ensemble Español’s Olivia Serrano. She performed in two of the studio’s Vittum Theater productions, Offstage shows, and taught children’s classes. In 2022, Jocelyn was cast as a Flamenco dancer in Zorro the Musical. Most recently, she performed in Evanston’s annual Hispanic Heritage Celebration.


Jocelyn has been fortunate to study Flamenco and danza española in Chicago, Albuquerque, New Mexico’s Flamenco festival, and in Spain with artists such as Juan Paredes, Adrián Santana, David Romero, Isaac Tovaar, Irene “La Chiqui” Lozano, Adi Movdat, Carmela Greco, and Raquel and Paloma Gomez. Jocelyn developed her Ballet foundation at Chicago’s Visceral Dance Center. She has also studied Latin ballroom under Tetyana Oliynyk, and eventually with her competitive teacher, Aleks Nashev. In 2021, she traveled to Kyiv, Ukraine, to learn from Dmytro Vlokh.


In addition to dancing, Jocelyn has her master’s degree in secondary education with certifications in bilingual, ESL, and middle grades education, and taught in Madrid, Spain, for two years before teaching in Chicago Public Schools. She is thrilled to begin this next chapter in dance with Chicago’s Ensemble Español!

María Luján

Samantha Micklewright

Samantha Micklewright

Company Dancer


María Luján was born and raised in Madrid, Spain. She started her dance training at 8 years old with the Pilar López Local Dance Academy, first exploring the classical and contemporary styles and later focusing on Spanish dance with Raquel Gómez, former soloist and rehearsal director of the Ballet Nacional de España.

She co

Company Dancer


María Luján was born and raised in Madrid, Spain. She started her dance training at 8 years old with the Pilar López Local Dance Academy, first exploring the classical and contemporary styles and later focusing on Spanish dance with Raquel Gómez, former soloist and rehearsal director of the Ballet Nacional de España.

She continued her flamenco studies at the Amor de Dios Flamenco Studios in Madrid, with artists such as La Tati, Patricia Guerrero, José Maya, Antonio Canales, Rosa Zaragoza, Marco Flores, Sara Martín, Alfonso Losa, María Juncal, Belén López or La Lupi among many others.

She has participated in national dance contests, winning first and second prizes with Folklore, Clásico-Español, Flamenco and Contemporary choreographies. She has also collaborated with professional orchestras in her home city, such as Orquesta de Cámara Andrés Segovia, performing several pieces by Bizet and Granados. 

María carries an eclectic background. She's got a Bachelor's Degree in Biotechnology, which has allowed her to work as a Science teacher for several years and also take part in several human health research projects. As part of an international student organization within her university, she has been involved in different tasks and roles, like Vice President. She has also taken part in international cooperation projects in developing countries.

Currently, María is a dancer with the professional Spanish dance company Ensemble Español. She combines her dancer career with being an instructor, teaching Clásico-Español and Escuela Bolera to the Ensemble Español Youth Company and teaching Flamenco at Inter-American Magnet School. She also takes part in different educational projects which the company holds throughout the city of Chicago, with the aim of sharing all that Spanish dance has to offer.

She feels honoured to be a recipient of the Perez/Ruiz Ensemble Español fellowship and part of the premier international exchange program with Ensemble Español, North Eastern Illinois University, the NEIU Foundation and the Pilar López Local Dance Academy in Madrid.

Samantha Micklewright

Samantha Micklewright

Samantha Micklewright

Company Dancer


Samantha Micklewright is from Arlington Heights, Illinois and is of Slovak and Irish descent. She began ballet classes at the age of two and displayed an early passion for all forms of dance. At age seven she began taking flamenco classes.


At eleven years old, she was awarded a full scholarship with the Ensemble Español Yout

Company Dancer


Samantha Micklewright is from Arlington Heights, Illinois and is of Slovak and Irish descent. She began ballet classes at the age of two and displayed an early passion for all forms of dance. At age seven she began taking flamenco classes.


At eleven years old, she was awarded a full scholarship with the Ensemble Español Youth Company and began her formal Spanish dance training with instructors Sara Samuels, Julia Hinojosa, Jose Torres, and Claudia Pizarro. She was promoted to company apprentice in 2017 and company dancer in 2019. Micklewright has studied with renowned dancers and teachers including La Lupi, Carmela Greco, Jose Barrios, Paloma and Raquel Gomez, Jose Moreno, Nino de los Reyes, Isaac Tovar, Wendy Clinard, and Carlos Rodriguez. She has studied ballet with Kara Zimmerman, Anna Czajun, and Patti Klekovic. Samantha has also studied in Madrid at Amor de Dios and the Conservatory of Professional Dance Carmen Amaya.


During her tenure with the company, Samantha has been featured in the lead roles of Carlos Rodriguez’s “Piel Desnuda” and “Jaleos” from the Mar De Fuego ballet. She has also been featured in “Dualia” by Carlos Rodriguez and Angel Rojas. She has performed multiple solo works including “La Noche Sagrada” choreographed by Carlos Rodriguez which she recently performed at the Auditorium Theater.


Additionally, Samantha enjoys performing at special events and Tablao settings around Chicago and the Midwest. She recently performed at the 2023 TedX Chicago event with guitarist David Chiriboga and violinist Olya Prohorova. Micklewright is also currently wrapping up her final year at the Milwaukee Institute of Art and Design. During her college career she has completed internships with the Design Museum of Chicago, the University of Illinois Chicago, and Great Wolf Lodge Corporate. She will graduate in 2024 with a BFA in Communication Design. 

Nalanie Molina

Abigail Mosquera

Abigail Mosquera

Company Dancer


A native Chicagoan of Puerto Rican heritage and a true admirer of the Performing Arts since a little girl, Nalanie was introduced and in awe of Spanish dance at the age of 18.


Irma Suárez Ruiz and Leticia Aravena provided her with her first experience of Spanish dance through After School Matters.


In 2011, she auditioned for t

Company Dancer


A native Chicagoan of Puerto Rican heritage and a true admirer of the Performing Arts since a little girl, Nalanie was introduced and in awe of Spanish dance at the age of 18.


Irma Suárez Ruiz and Leticia Aravena provided her with her first experience of Spanish dance through After School Matters.


In 2011, she auditioned for the Ensemble Español Youth Company, where she began her formal training with Julia Hinojosa and Sara Samuels. From 2011 to present day, she has studied with various acclaimed Spanish Dance Artists such as Dame Libby Komaiko, Carmela Greco, Jose Torres, Claudia Pizarro, Jose Barrios, Nino de los Reyes, Carlos Rodriguez, Paloma and Raquel Gomez, La Lupi, Jose Moreno, Wendy Clinard and Isaac Tovar. Nalanie has also trained in ballet under Anna Czajun and Kara Zimmerman. Her tenure as a Company apprentice began in January 2017 and ended in January 2020 with her promotion as a Company dancer.


Nalanie has had many highlighted performances and works that have included lead roles in Irma Suarez Ruiz’s Rendición, Carlos Rodriquez’s and Angel Rojas Dualia, and Isaac Tovar’s Amangue. Additionally, her solo and duet works include Carlos Rodriguez’s Vinculo from his favored Spanish dance suite Amor Eterno’s Picasso, as well as his Flamenco piece Mis Caminos restaged and inspired by La Lupi. In April 2022, she performed with the Vatican Choir alongside Luis Beltran in the Neoclassical style from the well known opera “Carmen'' La Habanera which was choreographed by Antonio Gades and restaged by herself and Mr. Beltran. In September 2022, she embraced the Auditorium Theatre’s stage with a Flamenco choreography in the style of Alegrias with acclaimed musicians Curro de Maria, Jose Moreno, Javier Saume and Paco Fonta.


When she is not rehearsing, performing or touring with the company, she is teaching and building curriculum for various dance programs that the Ensemble has to offer all over the city of Chicago for youth 4-18 years old. These programs include After School Matters Spanish Dance Experience and Flamenco Dance and Art, United Rhythms project with Muntu Dance Theatre, Bailamos Residencies, and Dual Enrollment under Northeastern Illinois University with Chicago Public Schools. In addition to teaching, Nalanie enjoys learning other forms of dance. She attends classes at Vicercal, Stiletto dance studios, and Segundo Ruiz Belvis Cultural Center in Chicago. She also holds enthusiasm for performing Tablao performances at different venues and Spanish restaurants in the city of Chicago. Finally, Nalanie holds a Masters Degree in Arts Management and Business from Columbia College Chicago.

Abigail Mosquera

Abigail Mosquera

Abigail Mosquera

Company Dancer


Born in Chicago and of Ecuadorian and Mexican descent, she began dancing flamenco at the age of 5 at Inter American Magnet school’s after school program. At the age of 8 Abigail continued her flamenco studies at Christine Belpedio’s School of Dance under the direction of Julia Hinojosa, and Abigail Ventura. 


In 2017, she bega

Company Dancer


Born in Chicago and of Ecuadorian and Mexican descent, she began dancing flamenco at the age of 5 at Inter American Magnet school’s after school program. At the age of 8 Abigail continued her flamenco studies at Christine Belpedio’s School of Dance under the direction of Julia Hinojosa, and Abigail Ventura. 


In 2017, she began her formal training with the Ensemble Español Youth Company under the direction of Julia Hinojosa, Jose Torres, Monica Saucedo, and Crystal Ruiz. During her time in the youth company she was able to train with renowned Spanish dance artists like Paloma Gomez, Carmela Greco, and Jose Barrios. In 2018, Abigail was nominated and awarded the Rising Star Honor Roll for dance by the City of Chicago. In the same year, Abigail was also awarded the Ballet Hispanico Nuestro Futuro Scholarship and was able to train in New York with Jose Moreno, Nélida Tirado, and Alfonso Cid. 


In 2019, guest artist Carmela Greco awarded Abigail a scholarship to travel to Spain and train for two weeks at her flamenco dance intensive in Cadiz, Spain. In 2020, Abigail was promoted from Youth Company dancer to Apprentice dancer with the company. The following year, 2021, Abigail was promoted to Company dancer. As a company dancer Abigail has had the opportunity to study with many guest artists such as Nino de los Reyes, Paloma Gomez, Raquel Gomez, La Lupi, Carlos Rodriguez, Isaac Tovar, Jose Moreno, Wendy Clinard, and Mercedes Ruiz. Abigail has been featured in numerous dances such as ‘Ben Amor’ choreographed by Dame Libby Komaiko and Dualia choreographed by Carlos Rodriguez and Angel Rojas. She has also performed a solo dance number titled, ‘Por el Barrio’ choreographed by Jose Barrios which she recently performed at Navy Pier’s Chicago Live. 


In 2023, Abigail attended Carmela Greco’s VIII Seminario de Flamenco y Danza Española and fulfilled the scholarship she was awarded back in 2019. Abigail was able to train for two weeks with various Spanish dancers such as Carmela Greco, Lola Greco, Carmen Ledesma, La Chiqui De Jerez, Jesus Fernandez, Juan Navarro, Claudia Cruz, Maria Jose Franco, Marta Ortiz, and Torombo. This was an enriching experience that taught Abigail a lot more about Flamenco and Danza Español. 


Currently, Abigail is an Elementary Education Major with a bilingual endorsement at Northeastern Illinois University and is completing her final year of schooling to receive her bachelor's degree in Elementary Education by May 2024. Abigail has taught after school dance classes at Inter-American Magnet School and was an Instructor for the Ensemble Español Spanish Dance Youth Company for three years. 

Jonathan Pacheco

Abigail Mosquera

Jonathan Pacheco

Company Dancer


Jonathan Pacheco is currently a company dancer with the Ensemble Español Spanish Dance Theater Company (EE) in residence at Northeastern Illinois University, Chicago (NEIU). Jonathan was born and raised in Chicago and is of Puerto Rican heritage. He began his Spanish dance studies (Flamenco, classical, folkloric, Escuela Bol

Company Dancer


Jonathan Pacheco is currently a company dancer with the Ensemble Español Spanish Dance Theater Company (EE) in residence at Northeastern Illinois University, Chicago (NEIU). Jonathan was born and raised in Chicago and is of Puerto Rican heritage. He began his Spanish dance studies (Flamenco, classical, folkloric, Escuela Bolera, in the contemporary and traditional styles) in 2013 while attending NEIU with instructor and artistic director of the EE, Irma Suarez Ruiz. In 2015, Jonathan formally became an apprentice to the EE and was promoted to Company Dancer in 2017. 



Since then he has studied with numerous esteemed artists including flamenco masters, Wendy Clinard, Jose Barrios, Jose Moreno, La Lupi, and former Principal’s to the National Ballet of Spain, Paloma and Raquel Gomez. He has trained in ballet with Anna Czajun and Laura Wade. In 2017, he began training at the Lou Conte Dance Studio at Hubbard Street Dance Chicago, being awarded a scholarship by studio director Claire Bataille. There he studied Ballet with Patti Eylar and Vanessa Valecillos; Jazz with Joshua Blake Carter, Jessica Wolfrum Raun; Contemporary with Ethan Kirschbaum and Musical Theater with Tammy Mader. 


Jonathan performs with the EE throughout the nation, including the company's premier 2016 tour to Spain. He was featured in a lead role in Carlos Rodriguez’ La Piel Desnuda Spanish classical ballet, which premiered in 2019. Other roles include Irma Ruiz’s critically acclaimed, Pasion Oculta; Angel Roja’s Defalla, Out of the Box by Manuel DeFalla; and Dame Libby Komaiko’s iconic Danza del Fuego by Ruiz de Luna and Ravel’s Bolero. Most recently Jonathan performed with the Detroit Opera, April 2023, in Osvaldo Golijov’s production of Ainadamar, Fountain of Tears, homage to poet, Federico Garcia Lorca. The production, directed by Deborah Colker, was choreographed by former artistic director of the National Ballet of Spain, Antonio Najarro, receiving rave reviews. 

 

Jonathan has graced many stages including the historic Auditorium Theatre, North Shore Performing Arts, Pritzker Pavilion Stage , Symphony Space with  Chicago Symphony Orchestra, Touhill Center for the Arts in St. Louis, Shea Auditorium in New Jersey, Joyce Theater and Alvin Ailey Center in Manhattan to name a few. Jonathan graduated summa cum laude from Northeastern Illinois University in 2017. Jonathan serves as the Executive Office and Campaign Manager for Steppenwolf Theatre Company.

Nestor Corona

Abigail Mosquera

Jonathan Pacheco

Guest Dancer


Nestor is from Jalisco, Mexico. He began dancing Mexican folklore at age 12, under the direction of Josefa Castañeda.

In high school, he danced with Jose Luis Ovalle’s Mexican Folkloric Dance Company of Chicago, and began his formal Spanish dance training, in 2000, with the Ensemble’s Youth Company.

In 2009, Nestor performed w

Guest Dancer


Nestor is from Jalisco, Mexico. He began dancing Mexican folklore at age 12, under the direction of Josefa Castañeda.

In high school, he danced with Jose Luis Ovalle’s Mexican Folkloric Dance Company of Chicago, and began his formal Spanish dance training, in 2000, with the Ensemble’s Youth Company.

In 2009, Nestor performed with the Mexican Folkloric Dance Company in Las Vegas for the Latin Grammy’s with singer Juan Gabriel, and in Ireland for the Festival of World Cultures.

He travels internationally and nationally with the Ensemble and represented the company in Lane Alexander’s collaborative work In The Meantime, which was performed at the Chicago Dancing Festival in 2015.

He is a vice principal math at Mirta Ramirez High School in Chicago, and received a bachelor’s degree in Math with a minor in Economics from Northeastern Illinois University. He received his M.A. in Education from Chicago State University.

Nestor has taught Mexican folkloric dance to students and parents at the Rosario Castellano School in Little Village.

GUEST ARTISTS & musicians

Isaac Tovar

Andrea Salcedo

Isaac Tovar

Dancer & Choreographer

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Jose Moreno

Andrea Salcedo

Isaac Tovar

Flamenco Singer & Guitarist

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Andrea Salcedo

Andrea Salcedo

Andrea Salcedo

Flamenco Guitarist

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Bob Garrett

Brian Torosian

Andrea Salcedo

Percussionist

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Brian Torosian

Brian Torosian

Brian Torosian

Classical Guitarist

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youth company dancers

Level 1

Sienna Gansallo, Alessandra García, Alesia Magana, Gianlucca Monge Aravena, Janelli Pfeifer, Monserrath Rebollo, Erika Sánchez Castro

Level 2

Kostas Beccaria Alexopulos*, Alesia Magana*, Monserrath Rebollo*, Abigail Valdez, Gianna Volk


*Candidates for Level 2

EE Tech Production

Sarah Lackner, Production & Stage Manager

Dustin Derry, Lighting Director of Stonewolf Studios

program · act 1

Amangue

Choreography (2023): Isaac Tovar


Music Composition: Curro de María, Flamenco Guitarist


Costume Design and Production: Melanie Medina of Mela Flamenco


Lighting Design: Isaac Tovar and Dustin Derry


Dancers: Company


This work was made possible thanks to the generous support of the Greg Ragsdale Family

Flamenco Musical Interlude

Jose Moreno, Singer & Guitarist; Andrea Salcedo, Guitarist; Bob Garrett, Percussionist

Leyenda / Asturias

Choreography and Costume Design (1987): Dame Libby Komaiko


2026 Revival: Jose Torres


Music: Isaac Albéniz


Lighting Design: Michael Mix, re-imagined by Dustin Derry

La Vida Breve / The Brief Life

Irma Suarez Ruiz, on Castanets and Brian Torosian, Classical Guitarist


Music: Manuel de Falla, Danza Española No 1


World Premiere

Escenas Villanescas

Choreography and Costume Design: Irma Suarez Ruiz


Music: Enrique Granados


Costume Production: Luz Creations


Paintings: Francisco de Goya and Manuel Barrera Haedo


This work is made possible thanks to the generous support of Philip and Marsha Dowd

El Aparecido: Danza Del Terror / The Apparition: Dance of Terror

Dancer, Choreographer, Costume Designer (2024): Isaac Tovar, Guest Artist


Music: Manuel de Falla


Costume Production: Gonzalez / Boots by Gallardo


Lighting Design: Dustin Derry in collaboration with Isaac Tovar


Premiered at the prestigious Bravo! Vail Festival with conductor Carlos Miguel Prieto, the

Mining Symphony Orchestra and Esperanza Fernández, Flamenco singer

Costumbres Valenciana / Valenciana Customs (Folkloric Suite)

Choreography, Costume and Lighting Design (2000): Juanjo Linares

Music: Padilla

Costume Production: Paco Alonso

Dancers: Full Company & Youth Company

program · act 2

Pasion Oculta / Hidden Passion

Choreography and Costume Design (2019): Irma Suarez Ruiz

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin Derry

Dancers: Company

Flamenco Musical Interlude

Jose Moreno, Singer & Guitarist; Andrea Salcedo, Guitarist; Bob Garrett, Percussionist

Antecesores / Ancestors

Choreography, Costume Design and Staging (2025): Jose Torres

Music: Jose Moreno, Singer & Guitarist; Andrea Salcedo, Guitarist; Bob Garrett, Percussionist

Costume Production: Luz Creations & Dancers

Lighting Design: Dustin Derry

Dancers: Company


Dedicated to those who came before us

Desde Cai / From Cadiz

First performed in Seville in 2019 as part of Isaac Tovar’s Cia Flamenca concert “Añejo”


Choreography and Dancer (2019): Isaac Tovar, Guest Artist

Costume Production: Ubaldo

Shoes: Gallardo

Lighting Design: Isaac Tovar and Dustin Derry

Boléro

In Memory of Sonia Florian


Choreography (1993): Dame Libby Komaiko

Music: Maurice Ravel (1875–1937) Boléro (1928)

Inspirational Back Story: Drawings & Paintings of Pablo Picasso (Barcelona, 1881–1973)

Costume Designers: Dame Libby Komaiko, Paco Alonso

Original costume production: Paco Alonso

Costume re-design addition for the special 20th Anniversary in 2013: Freddie Rocha

Lighting Design: Original concept by Michael Mix

Re-imagined lighting design in 2025 for this performance: Dustin L. Derry

Dancers: Full Company


Upon its creation, this work was dedicated to the memory of Irving B. Dobkin, a longtime officer of the Board of Directors and friend of Ensemble Español. The creation of Boléro was made possible in part by the Cherry Family Foundation. The revival of Bolero is made possible thanks to the generous support of Sonia Florian.


Since its creation, Ensemble Español’s Boléro has graced some of the greatest landmark theaters in the world to well over one million audience members. Bolero has been featured in two documentaries; Dance for Life: 20th Anniversary Documentary in 2010 (winner of two Emmy awards for best documentary and best director — Scott Silberstein of HMS Media) and Sobre Las Olas del Mar: A Story of Flamenco in the U.S. 2013 directed by Carolina Loyola Garcia.


Dame Libby’s Boléro has been featured on BBC, on public television, on WGN Radio & TV with Dean Richards, and television and international media in China, Puerto Rico, Poland and Spain. Theatre performances include Chicago’s Northeastern Illinois University Auditorium in 1993–95 and 1997–98 and 2019; Skyline Stage at Navy Pier in 1996; North Shore Center for the Performing Arts in Skokie in 1999, 2008, 2011, 2013, 2016, and 2018; the Auditorium Theatre in 2002–2005, 2013 and 2017; the Harris Theater for Ensemble’s 30th anniversary in 2006; Dance for Life in 2010; and Global Rhythms in 2011.


Internationally Dame Libby’s Boléro has been performed in Puerto Rico, Poland, China and in the U.S. for the St. Louis Dance Festival in 2010, 2011, 2013, 2015 and 2025 to a roaring record breaking 12 standing ovation curtain calls. The Ensemble also presented Boléro on August 22 and 24, 2013 in a Chicago historic double header at the Auditorium Theatre and on the Pritzker Pavillion stage in Millennium Park as part of the Chicago Dancing Festival.


Boléro made its Spain debut on August 20, 2016 at the Teatro Tomas y Valiente in the city of Fuenlabrada and on August 24 at the Teatro Marquina in Madrid in honor of the company’s 40th anniversary.


The New York Times called Dame Libby’s Boléro “amazing” and said the Flamenco ballet “wowed the audience” in 2018 at the sold-out Joyce Theater in Manhattan, NY, with audience members standing and shouting “Encore, Encore.”


Boléro is a 1928 work for large orchestra by French composer Maurice Ravel. It is one of Ravel's most famous compositions. It was also one of his last completed works before illness diminished his ability to write music.


The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, Iberia. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. However, Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the bolero, a Spanish dance musical form.


The composition was a sensational success when it premiered at the Paris Opéra on November 22, 1928, with choreography by Bronislava Nijinska and designs and scenario by Alexandre Benois. The orchestra of the Opéra was conducted by Walther Straram. Originally, Ernest Ansermet had been engaged to conduct the entire ballet season, but the musicians refused to play under him. A scenario by Rubinstein and Nijinska was printed in the program for the premiere.


Boléro became Ravel's most famous composition, much to the surprise of the composer, who had predicted that most orchestras would refuse to play it. It is usually played as a purely orchestral work, only rarely staged as a ballet. According to a possibly apocryphal story from the premiere performance, a woman was heard shouting that Ravel was mad. When told about this, Ravel is said to have remarked that she had understood the piece.

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